Arts and Heritage Community Grants

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We offer funding by application to community groups and individuals in Creemore and the surrounding area for projects in harmony with our mandate.

Watch for the annual call for applicants … the deadline is the end of January.



Nottawasaga & Creemore Public School







Some of our past and current recipients:

  • Avening Community Centre
  • Creemore & Nottawasaga Public School
  • Creemore Children’s Festival
  • Creemore Legion
  • Creemore Santa Claus Parade
  • Imaginarium Art Camp
  • Mill Street Art Studio
  • Mad & Noisy Gallery
  • Sara Sniderhan
  • St. Luke’s Gift of Music
  • Station on the Green
  • Stayner Collegiate Institute

Artists in the School

The Artists in the School program is a series of visual art classes for young people in grades four to eight at Nottawasage & Creemore Public School.

Gail Caswell
Gail Caswell

Each spring, Gail Caswell (Board member) and Jordan Eveland bring a hands-on creative experience to roughly 120 students at the Nottawasaga & Creemore Public School. This year, the series focuses on acrylic painting on canvas.

Past series have focused on printmaking, pottery, acrylic painting, collage/mixed media and principles of design study.

The Artists in School Program was initiated by the former Creemore Artists’ Centre (the Mad & Noisy Gallery, a not-for-profit co-operative group of artists) in 2009. Since then, the art classes have received overwhelming support from students, parents and school staff.

NCPS student art
Art inspired by Morrisseau Photo: Purple Hills

Like other such programs, the Artists in School is a collaborative model for art education. This program would not be possible without our positive relationship with the school principal, Alison Golding, and other committed staff.

These experiences light a creative fire in the students while meeting curriculum expectations for Ontario Arts. We believe arts education is a critical element in helping young people discover their gifts and passions. We have also provided past support to the school’s Band Instruments program.

From The Creemore Echo:

Different ways of seeing through art

by Trina Berlo

The large canvases laid out on the desks in Mr. Weir’s classroom leave very little room to manoeuvre but students manage to zip back and forth to the paint table. They return to their workstations with fresh globs of bright acrylics to mix and layer.

The Grade 7-8 Nottawasaga and Creemore Public School students are finishing up their paintings inspired by the work of the late Norval Morrisseau, an aboriginal Canadian artist who rose to fame in the 1960s. Read more …

The Lobster Dinner

The Lobster Dinner 2015 / Photo: Bryan Davies
The Lobster Dinner 2015 / Photo: Bryan Davies

May 14, 2016

Station on the Green. For members and guests.

Reception at 6:30 pm.

Tickets $50 • Cash bar

Always a sellout! Place your ticket order below. A delicious evening of food and conversation! Enjoy lobster, baked potato, coleslaw and dessert.

This is an important fundraiser for our ongoing programs. A Creemore tradition, this springtime gathering is a key fundraiser for the Creemore Festival of the Arts, our Artists in the School program, heritage installations, and our arts and heritage community grants.

Number of tickets
Names for lobster dinner
Names for beef alternate

Sunday Afternoons: Tea and History Series

Petun to Wyandot by Charles Garrard

Sunday afternoons.

This longstanding series brings warmth to a winter Sunday afternoon while deepening our understanding of history.

The 2015 speaker was Charles Garrard, author of Petun to Wyandot: The Ontario Petun from the Sixteenth Century (Canadian Museum of History/University of Ottawa Press, 2014). The book, winner of the Ontario Archaeological Society Award for Excellence in Publishing, distills a lifetime of research on the now-dispersed Wyandot tribe, once called the Petun, who encountered the French explorer Samuel de Champlain in 1616 in the area now known as Creemore.

The fascinating story of the Petun Confederacy was also the subject of our 2015 AGM Speaker, local historian Pat Raible (more here). Our next Tea and History afternoon will celebrate the publication of Pat’s new book about the Petun and their history.

2015 AGM Speaker

The 2015 AGM speaker was past bookstore owner, local historian and past Purple Hills president, Pat Raible. Her fascinating insights into the 17th century daily lives of the Petun Indians brought history alive.


By Pat Raible

An admiring look at the First Nations peoples who, in the late 16th and early 17th centuries, lived in and near what is present-day Creemore.

Notes of a talk presented by Pat Raible at the Purple Hills Arts & Heritage Society’s Annual Meeting held in Creemore, March 29, 2015, in celebration of the visit made by Samuel de Champlain to the Petuns in January 1616.

Before we adjourn for what I know will be a delicious lunch, I would ask you to take a short walk with me … not literally, but in your minds. Let’s leave the Station on the Green and walk west on Francis Street. At Collingwood Street we’ll turn right (north). We’ll cross the County Road, and go on north up Collingwood Street to the top of the hill, near the reservoir. Let us pause there and look south. We will see a “country full of hill slopes and little level stretches which make it a pleasant land.” I am sure these words will seem familiar to you … you have seen them before, including on the PHAHS historical plaque which celebrates Samuel de Champlain’s visit, in 1616, to the people he referred to as the “Petuns”.

We in PHAHS are keen on our local history – we are, after all, a Heritage as well as an Arts Society – and thanks to Helen Blackburn we know a lot about this history, starting when our 19th century forebears, the Websters and others, settled this area. But several hundred years before these good souls, there were people living and prospering here and near here, from Creemore and on up to Craigleith.

These First Nations people we call the Petun (or Petuns), and this area in which they lived for about seventy years we call “the Petun Country.” These early residents would not have recognized that name. We do not know what name they might have used. We do know (according to their later Jesuit visitors) that their neighbours referred to them as the Tionontaté (various spellings, including my favourite: Khionontaterrhonon).

So why “Petun?” The name, “Petun,” was ascribed to them by Champlain, who had somehow got the impression (perhaps from his Huron hosts) that they were “The Tobacco People.” For Champlain and his French companions, a term for “tobacco” was “petun” (or “petum”). Is this the usual French word for tobacco? Clearly not. Apparently, its origin is from the language of the Tupi-Guarani, a tribe of indigenous people living in South America. Perhaps it was the term used by 16th century Portuguese traders for the tobacco procured from the Tupi-Guarani. Appropriate or inappropriate, “Petun” is the name that has stuck.

Champlain was not here for tobacco – he was here to promote TRADE. And of particular importance in the early 17th century was the FUR TRADE. Fur was of great value to 16th and 17th century Europeans, for clothes, for blankets, for hats. In Europe, the fur-bearing animals had pretty much been hunted to extinction. Lo and behold, here in this “new” continent were furs in abundance! Enter the French and Dutch … complete with their trade goods, which were as desirable to the native peoples as the furs were to the Europeans. A Montagnais chief is said to announced: “The Beaver does everything perfectly well … it makes kettles, axes, swords, knives, bread: in short it makes everything!”

And this is where “our” Petun step in – they were fur trappers, par excellence.

How do we know what we think we know about the Petun? They left no written documents: no letters, diaries, treaties or legal papers. However, their 17thcentury European visitors could and did write. For example, Champlain reported to French government authorities. He also wrote travel books – his Voyages du Sieur de Champlain was a very popular “read” in the 17th century. And the Jesuit priests reported to their superiors in France, in a series of documents referred to as theJesuit Relations. (Both Champlain’s and the Jesuits’ works are available at the Collingwood Public Library, fortunately translated into English from the original 17thcentury French.)

However, we should be very careful about how we read this material. We need to recognize their European bias and feelings of superiority. The Jesuits came to convert “les sauvages” to Christianity, and Champlain came as a colonizer and to trade. Champlain sees the “country full of hill slopes” and “the pleasant land” (which is where we started today), but he later has absolutely no hesitation in saying: “Their life is wretched by comparison with ours, but happy for them since they have not enjoyed any better one.” How’s that for European ethnocentrism! (In fact, I think we’ll see that their life in terms of health and well-being compared very favorably with that of their European contemporaries.)

Later historians, anthropologists, geographers, and archaeologists are, we believe, much less biased in their opinions. My remarks today are based primarily on that wonderful new book, Petun to Wyandot: The Ontario Petun from the Sixteenth Century, by archaeologist Charles Garrad (who came here to Creemore some years ago to present much appreciated slide lectures and workshops).

So who were these Petun that Champlain (and later the Jesuits) visited, and where had they come from? Garrad says they were two tribes of Iroquoian Wendats (ouendat, 8endat, Wyandots), the Wolf and the Deer, who made their way here, very gradually moving north over many, many years, and not necessarily together.

Garrad believes they were substantially Neutrals, or, very possibly a late offshoot of the Neutrals and shared a very recent common ancestry.

Since our time today is limited – pleasing aromas of our soup beckon – perhaps we may be permitted to allow ourselves to concentrate on the three Petun Wolf villages close by – close to what would one day be the Village of Creemore.

The Petuns’ first recognizable presence here was a village on the western edge of Creemore, in what archaeologists have dubbed the “Sidey-Mackay” site. (This clearly is not a Petun name; it is the name used by the archaeologists who first excavated the site, and is made up of the names of the then landowners, Mr. Sidey and Mr. Mackay. I gather this is normal archaeological procedure.) The Petun made this village their home for approximately twenty years (from about 1580-1600) until they moved north up the hill to the “Melville” site. This is where Champlain visited them in January 1616 and commented upon the “pleasant land.” (When the Melville site was abandoned some time after Champlain’s visit, our Petun moved to the “Hamilton-Lougheed” site, just north of the County Road on the way to Dunedin.)


We can guess from these locations (and others which followed) that the Petun preferred to site their villages on high ground, perhaps for visibility and certainly above flood plains. Of course, prime necessities were access to water, to wood (for their buildings and their fires), and, crucially, access to beaver. But they also needed arable land nearby. Arable land, you ask? Yes. The Petun were very definitely farmers as well as hunters and gatherers. (I’ll come back to their farming a little later.) Their villages (which were often palisaded) consisted of a series of longhouses. Champlain has left us a reasonably accurate description of a typical longhouse (undoubtedly there was some variation, of course): 

 “Their lodges are fashioned like arcades or vaulted arbours, covered with tree bark … leaving in the middle a passage, from ten to twelve feet wide, which runs from one end to the other. On both sides is a short platform, four feet in height, on which they sleep in summer to escape the annoyance of fleas, of which they have very many, and in winter they lie below on mats near the fire, in order to be warmer. They gather a supply of dry wood and fill their lodges with it, to warm themselves in winter. At the end of these lodges is a space, in the middle of their dwelling,  where they keep their Indian corn, which they put into great casks made of tree bark. Pieces of wood are suspended, on which they put their clothes, provisions and other things, for fear of mice, which are in great numbers.

“In one such lodge there will be 12 fires, which is 24 households, and there is smoke in good earnest in winter, causing many to get serious ailments of the eyes from it … for there is no window nor opening, except the one in the roof of their lodges, by which the smoke escapes.”

Anthropologists say that each longhouse was likely the home of one extended family – in a matrilocal pattern – a mother (or grandmother) and her daughters, or perhaps a group of sisters, together with their husbands and their children, in other words several “nuclear” families, all related to each other (in a matrilineal pattern).


The Petun, like their Iroquoian-Wendat ancestors and their contemporary Huron and Neutral neighbours, were farmers as well as hunter-gatherers. That is, the WOMEN were the farmers – it was their job to hoe up the land into a series of small “hills” into which to plant their beans, squash, sunflowers, and corn. (Of these crops, it was the corn that was their most important crop, providing a large percentage of their diet.) The women were also the gatherers: of fruits, nuts, and a variety of other wild plants.

So …After tilling the soil, planting, watering, and weeding, the women harvested the corn and beans, and gathered wild plants. They then went into to their longhouses … they lit the cooking fires with the wood they had previously gathered; theycooked and served the meals (in the clay pots they had fashioned. When not farming or gathering or cooking, they sewed everyone’s clothing … they made the winter sleeping mats out of reeds and corn … they wove baskets out of reeds and birchbark. AND, of course, they took care of the children …. Indeed, one could truly say:  “A Petun woman’s work was never done!”

What were the men doing all this time, just lazing around, smoking? Possibly, some of the time, but in fairness we must recognize that their contribution was no less important. Certainly, they did “the heavy lifting.” The men cleared new fields, chopping down small trees with stone axes (no wonder they welcomed the French fur traders’ iron axes!) The larger trees they girdled. Why the “new fields?” It had to do with the fertility of the fields. The Petun women planted their corn and  other vegetables in the same hills each year, until the fertility of the soil was depleted. (The Petun had no farm animals to produce manure, and apparently they did not plant “a fish in every hill” as their New England counterparts are reputed to have done.) Because corn was so very crucial to their diet, when the cornfields were exhausted, it was time to move on: thus the new fields. In the new villages, the men were the builders (and repairers) of the family longhouses and of the palisades, if the village was palisaded.

Most importantly, of course, as we noted earlier, the men were skilled beaver hunters, trapping the beavers and then preparing their pelts for the fur trade. They were also hunters and fishers for food, providing valuable protein for the cooking pots. (Yet another desirable source of protein … I hope the squeamish among you will not be offended … came from the dogs the Petun kept – as pets, but also as prized sources of meat, especially for their feasts!)

And, as Iroquoian-Wendats, the men would have played an important role in government and clan life. Each clan had two headmen, one a civil leader and one a war chief. And go to war they probably did – when time permitted, or protocol demanded.


But mostly, Petun life seems to have been pleasant and peaceful. As already mentioned, each extended family lived together in their family longhouse. Children were prized and loved. By sixteenth century standards, the children were “spoiled” by their indulgent parents and grandparents, much to the disapproval of the Jesuit Fathers. Girls learned the skills they would need by watching and helping their mothers and aunts. Boys were trained to use weapons – they spent time outdoors, shooting arrows, spearing fish, playing ball, all of which helped to develop a boy’s vision, hearing, sense of smell, as well as manual dexterity: skills that would be needed in manhood.

Marriage was early and universal, and the Petun attitude to teenage sex was very relaxed. It was expected that girls and boys would engage in sexual relationships soon after puberty and that they would have a number of partners. Usually, when a girl became pregnant a marriage was arranged, and the girl could choose which of her lovers she preferred as a husband. After a marriage feast, the boy went to live in his new wife’s family longhouse.

Divorce was quite common and accepted, again to the dismay of the Jesuits, one of whom reported: “The Savages have been for many ages in possession of a complete brutal liberty, changing wives when they pleased – taking only one or several, according to their inclinations. Now that they have become Christians, they must bend their heads under the yoke of single marriage, which perhaps will, some day, seem to them very hard.”

Of course, not all became Christians! The Jesuit Fathers found to their dismay that many of the native peoples had beliefs that suited them very well, and it was a wide cultural divide that they had to cross. One Father reported that the Indians listened patiently, but one elder said: “You can have your way, and we … ours!”

Nevertheless, the Jesuits persisted and were successful in “saving some souls.” Their Mission of the Apostles encompassed a number of the Petun villages, including St Pierre & St Paul, “our” Hamilton-Lougheed village. However, Father Jérôme Lalement complained, “This whole country is filled with evil reports … about us. The children … exclaim that famine and disease are coming; some women flee, others hide their children from us … they treat us very ill, in order to oblige us to leave … The children scream after us, as after sorcerers!”


We might suppose that at first the Petun were pleased to see their French visitors, including Champlain, whom they had welcomed with feasting, but with the French visitors also came their terrible diseases against which the native peoples had no natural immunitysmallpox, measles, chicken pox, influenza.

And along with the diseases came another scourge … WAR! From the South came Iroquois warriors (probably mainly Mohawk), fighting with an intensity and cruelty perhaps never before witnessed. (Surely, not the sort of ritual warfare that Champlain had witnessed. I think perhaps he would have been horrified, but, of course, he had died in 1635, on Christmas Day.)

The Jesuit priest Father James Lalement wrote in 1642:

“It is certain that to the village of Ehwae, surnamed St Pierre and St Paul, the principal village of this mission, all imaginable misfortunes happened before the end of the year [1641]. The greater part of the cabins were burned by the enemy…. Many died of hunger, of cold, or of smallpox; others perished in the water, and many were taken by the enemy.”

And to make matters worse, Lalement goes on that this year: “The snow has been extraordinarily deep.”

The Petun fled from this village of Ehwae [“our” Hamilton-Lougheed] to neighbouring villages, but in time it was no longer possible for the Petun to stay in their homeland, and they abandoned their territories in Ontario during the years 1649 to 1651 in what is referred to as the Dispersal. Our Petun journeyed west and south, looking for a safe and healthy environment. Garrad tells us that the Dispersal may have ended only in 1867, when the migrants reached their present locations in Oklahoma, Kansas, and the Detroit Valley. Garrad tells us that some people suppose that the Petun totally disappeared, but we can rejoice that they did not. He has traced them to their more recent descendants. In his Foreword dedication, Garrad pays respect to “all descendants of the Petuns, today to be found among the Wyandotte Nation of Oklahoma, the Wyandot Nation of Kansas, and the Wyandot Nation of Anderdon [Michigan].”

A nice note for us to end on today:
Petun-to-WyandotCharles Garrad who has done so much to bring the story of the Petun to life (and on whose work much ofwhat I have said today is based) visited the Wyandot in 1975, was warmly welcomed, and was made an honorary citizen. In 1999, on the 350thanniversary of the last full year of the Petun here in Ontario, the Wyandot Nation of Kansas, in a special ceremony, adopted Garrad and his wife, Ella, into the Bear Clan.

Authorities: Charles Garrad: Petun to Wyandot: The Ontario Petun from the Sixteenth Century. Canadian Museum of History/University of Ottawa Press, 2014. The Champlain Society edition of The Works of Samuel de Champlain, v. 4. University of Toronto Press, 1971. Reuben Gold Thwaites, Ed: The Jesuit Relations and Allied Documents: Travels and Explorations of the Jesuit Missionaries in New France 1610-1791. Burrows Bros., 1896. Gary Warwick: A population History of the Huron-Petun A.D. 500-1650. Cambridge University Press, 2008. C. E. Heidenreich: “A relict Indian Corn Field near Creemore, Ontario. Canadian Geographer, XVIII, 4, 1974. Conrad Heidenreich:  Huronia: A History and Geography of the Huron Indians, 1600-1650. McClelland and Stewart, 1971.  Marit K. Munson and Susan M. Jamieson, Ed: Before Ontario: The Archaeology of a Province. McGill-Queen’s University Press, 2013. John L. Riley: The Once and Future Great Lakes Country: An Ecological History. McGill-Queen’s University Press, 2013.

Annual General Meeting 2016

Photo: Purple Hills
Photo: Purple Hills

APRIL 24, 2016

Station on the Green.

Open to everyone. Free.

Luncheon at 12:30 pm.  AGM at 1:30 pm. 

Gather with friends old and new for a Sunday luncheon to honour and encourage the volunteers who make our programs happen, and ensure our continued role in the community. Lasagna, Caesar salad, bread, coffee/tea and apple crumble (and a gluten free alternative) will be on the menu.

The Annual General Meeting will follow with a review of our past year’s fundraising and program activities, a presentation of our financial statements, and an election of the Board of Directors for the coming year. We will also provide a scan of the year ahead.

Our constitution directs that a Nominating Committee will present a slate of Officers and other Directors to the Members at the Annual Meeting. Other nominations may be made from the floor by the Members and, if so, elections will be held. Otherwise, the slate so presented will become the Directors of record.

Community Grant Recipients 2016

After-school art classes by grant recipient, Mill Street Art Studio.
After-school art classes by grant recipient, Mill Street Art Studio.

Community Grants

The Purple Hills Arts & Heritage Society offers occasional funding for arts and heritage projects in Creemore and the surrounding area. We received especially strong applications in 2016.

We also provide annual arts and history bursaries to promising students in arts and history at Stayner Collegiate Institute and Nottawasaga & Creemore Public School.

Creemore Choral Festival – $1,500 (Artists fees and transportation)

Clearview Public Library – $700 (History and Genealogy Project)

Imaginarium – $800 (Summer Adventures in Art)

Creemore Legion – $500 (Canada Day Community Celebration)

Ann Clifford – $1,600 (The Heritage Draft Horse Mural)

Sue A. Miller – $1,200 (After School Arts Program)

Martha Bull – $1,800 (Adult Community Outreach Art Program)

The Village And I by Sara Sniderhan

Donna Lowe
Portrait of Donna Lowe by Sara Sniderhan

Artist Sara Sniderhan wanted to honour the elders in her adopted village.

A year in the making, the idea evolved into a series of portraits and a limited edition book that included the life stories of the portrait subjects.

The portraits were created in various media by Sara, Peter Adams, Martha Bull, Juliet Jancso, David Bruce Johnson, Andrej Kovacs, Peter Mitchell, Jim Paget and Christopher Roberts.

The life stories were written by Rina Barone, Andy Barrie, Trina Berlo, Catherine Gildiner, Kristi-Ly Green, Julie Pollock, Cecily Ross, Stephen Smith and Emily Worts. The foreword was written by adopted local son, Dan Needles.

The Village And I
Book cover: The Village And I

The subjects of the book are:

  • Dorothy (Timmons) Shropshire
  • Maurice Weatherall … an excerpt was published in In the Hills Magazine.
  • Gerry Blackburn
  • Helen (Emmett) Blackburn
  • Gertie (Montgomery) Gowan
  • Jerry Jordan
  • Donna (Millsap) Lowe
  • Noel van Walleghem
  • Neil Metheral
  • Barb (Rowbotham) Cudmore
  • Norma (Rowbotham) Johnston

The project was a feature of the 2015 arts festival. Following a launch that turned into one of the parties of the season, the installation was presented in the Creemore Log Cabin during the festival.

Sara’s project was also supported by a Robert G Kemp Arts Award, from the Blue Mountain Foundation for the Arts, and The Creemore Echo. The Village and I: Ten Life Stories, edited by Rina Barone, is published by Curiosity House Books.


Sara Sniderhan
Sara Sniderhan

Sara Sniderhan is a local artist who is represented by Ingram Gallery (Yorkville, ON).





Creemore Echo

Robert G Kemp
Robert G Kemp

Arts Festival Wrap-up 2015

Creemore Cafe by Allan Thompson
Photo by: Allan Thompson (Artists on Location 2015)

When the valley lights up with the richness of autumn, the time is right to spend a weekend exploring rich colours and textures created by local artists and artisans. Enjoy restaurants, cafés and a pub serving all day, and stay overnight in a local inn or bed-and-breakfast.

Artists on Location
The Artists on Location are the heart of the festival, installed in studios, restaurants and historic buildings — even in the grocery store parking lot. A group show in the heart of the village offers one piece from each exhibiting artist plus a festival map of the happenings along Creemore’s pretty streets.

Special Exhibits

The 2015 festival featured THE VIEW FROM HERE, a pop-up exhibition from Ingram Gallery (Yorkville, ON) of paintings by accomplished Canadian artists Ryan Dineen, Shelley Mansel, Peter Mitchell, Ryan Price, Travis Shilling, Yi Song and Sean Yelland.

At the Creemore Log Cabin, Sara Sniderhan presented her heritage project, THE VILLAGE AND I, an exhibit of ten portraits of Creemore-area elders and a limited-edition book of the portraits with profiles by local writers.

The 2014 festival featured INSPIRED, a multi-disciplinary show curated by Sara Sniderhan from artists represented by Ingram Gallery (Yorkville, ON).

And the Creemore Log Cabin provided an atmospheric space for Peter Adam’s DETRITUS, an installation of found objects that consisted entirely of discarded fragments left behind on a local farm by the inhabitants of the past 160 years.

We are part of the CLEARVIEW SMALL HALLS FESTIVAL, which brings the best of rural living into local community halls across Clearview Township, including live music, dinner theatre, art exhibits, dancing, farm festivities, culinary events and family fun.

Festival Supporters
We extend our sincere gratitude to festival sponsors Creemore Springs, The Creemore Echo, Chestnut Park Realty, Barriston Law, John Van Der Marel, Ferris & Celhoffer, Ingram Gallery, Mad River Golf Club and the Station on the Green.

Hidden Treasures Garden Tour 2015

Creemore Garden Tour
Photo: Bryan Davies

This longstanding fundraiser keeps getting better.

In 2015, eight gardens in Creemore, Avening, Dunedin and the surrounding hills opened their gates and hearts to help us grow. The Hidden Treasures Garden Tour included six private gardens and two vineyards, all remarkable for their variety of design, plant materials, water and dry features, and many clever ideas.

Grateful thanks is due to the gardeners, who shared their treasures with such generosity of spirit. They make it look easy … but it isn’t!

Next tour: June 2017

Watch for ticket information everywhere!